The Walters Art Gallery was founded by William and Henry Walters.
It is located in Baltimore, Maryland, and holds collections that date back to the mid-19th century.
Among its collections is ancient art. In this article, we will look at the museum’s history, collection, and influence.
You’ll also learn about its collection and location.
Walters art gallery was founded by William and Henry Walters
The Walters Art Gallery is a historic institution with an extensive history dating back to the 19th century.
The founders of the institution used their wealth, power, and social connections to collect artworks.
The Walters had a Eurocentric view of art and saw the height of human artistic production as the progression from Ancient Egypt and Greece through the Italian Renaissance.
The Walters brothers began collecting works of art during the late 19th century, especially from the Impressionists and European academic masters.
Their collection includes works by Claude Monet and Alfred Sisley.
They also bought Asian paintings through well-placed dealers.
Collection of ancient art
The Walters Art Museum is located in Baltimore, Maryland.
It was founded in 1934 and houses collections that date back to the mid-19th century.
The collection of ancient art is particularly impressive and is a highlight for visitors.
The collection features works that span the ancient world and includes Greek and Roman sculptures, mummies, and Egyptian art.
The museum’s ancient collection includes works from Egypt, the Near East, Greece, Rome, and Etruria.
The museum also has one of the world’s largest collections of sarcophagi.
Location of collection
If you’re planning a visit to Baltimore, you may want to consider the Walters Art Gallery.
This museum was founded in 1934 and is located in Mount Vernon-Belvedere.
Its collections date back to the mid-19th century. Today, the museum displays a range of works spanning different disciplines.
The Walters Art Gallery’s collections include works from the Renaissance to modern and contemporary art.
The collection contains important works by European artists such as Ingres, Gericault, and Delacroix.
The founder of the gallery, William Walters, spent time in Paris during the Civil War and developed a love for contemporary European painting.
He commissioned works by the Barbizon masters and acquired works directly from them or at auction.
His collection also includes the works of modernists such as Monet, Sisley, and Manet.
The collection at the Walters Art Gallery is impressive. There are thousands of works of art in the museum.
The collection is constantly being updated and maintained.
The museum is also home to the oldest surviving wooden-and-lacquer Buddha from China.
It also houses one of the largest and best collections of Thai bronze.
Influence of philanthropists
The history of the Walters Art Gallery goes back to 1898, but its legacy and practices have changed.
This institution has begun implementing initiatives that promote diversity and inclusion.
In March 2019, the museum announced a major expansion of its diversity programs.
In the process, it will also invest more of its endowment in minority firms.
The founders of the Walters Art Gallery were William and Henry Walters, who left the art collection and buildings to the city of Baltimore after the Civil War.
The Walters were well-connected businessmen and supported the Confederacy during the war.
They also benefitted from racial and labor policies.
The museum’s founders were also involved in the building of other institutions in the Southern region and benefited from the slave trade.
Impact on Baltimore
The new DEAI plan for the Walters Art Museum highlights the museum’s focus on diversity and inclusion, and it outlines new initiatives and strategies to achieve its goals.
The plan also describes a ‘new vision’ for school and teacher programmes, as well as the museum’s efforts to diversify its staff and collection, and promote pay equity.
The new plan for the Walters Art Gallery should incorporate collections-based permanent exhibitions, temporary loan shows of historic works of art, and work by living artists.
These changes would reflect a comprehensive re-thinking of the museum’s collections and buildings.